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The Biplane Houses

ebook
1 of 1 copy available
1 of 1 copy available
The Biplane Houses is Les Murray's first new volume of poems since 2002's Poems the Size of Photographs. In it we find the poet at his near-miraculous best. The collection exhibits both Murray's unfailing grace as a writer and his ability to write in any voice, style or genre: there are story poems, word-plays, history- and myth- makings, aphoristic fragments and domestic portraits. Houses are a many-sided theme of the book, and as ever, Murray's evocation of the natural world is unparalleled in its inventiveness and virtuosity.
Les Murray lives in Bunyah, near Taree in New South Wales. He has published some thirty books. His work is studied in schools and universities around Australia and has been translated into several foreign languages.
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    • Publisher's Weekly

      May 21, 2007
      The latest from Australia's most eminent living poet may be his best since 1999's Fredy Neptune
      . Perennially rumored for the Nobel shortlist, Murray pursues in off-rhymed stanzas and confident verse-paragraphs his signature mix of subjects: rural Australia and the dignity of rural labor; his own Scottish-Australian farming heritage and Catholic faith; the bounty and diversity of nature; the hypocrisy, cruelty and self-destructive overconfidence of cosmopolitan, secular civilization. Murray's vivid world includes unparalleled descriptions of flora and fauna—“dolphins, like 3D surfboards/ born in the ocean”—and quips about social class, housing, transport, belief and doubt, with some insights no one else could have: “Whatever the great religions offer/ it is afterlife their people want.” His lines, as always, are mouthfuls, sometimes awkward, sometimes winning in their sheer force. Though he can be unfair to his political targets—satirizing “gentrifical force” (i.e., gentrification, bourgeois tastes, hipness) as if it were a horseman of the apocalypse—the emotion is genuine and carries with it not only a defense of “working people's farms,” of “beautiful innocents” and unpretentious families, but a very modern understanding of the ways in which our modern lifestyles have put our planet at risk.

    • Publisher's Weekly

      May 28, 2007
      The latest from Australia's most eminent living poet may be his best since 1999'sFredy Neptune . Perennially rumored for the Nobel shortlist, Murray pursues in off-rhymed stanzas and confident verse-paragraphs his signature mix of subjects: rural Australia and the dignity of rural labor; his own Scottish-Australian farming heritage and Catholic faith; the bounty and diversity of nature; the hypocrisy, cruelty and self-destructive overconfidence of cosmopolitan, secular civilization. Murray's vivid world includes unparalleled descriptions of flora and fauna\x97\x93dolphins, like 3D surfboards/ born in the ocean\x94\x97and quips about social class, housing, transport, belief and doubt, with some insights no one else could have: \x93Whatever the great religions offer/ it is afterlife their people want.\x94 His lines, as always, are mouthfuls, sometimes awkward, sometimes winning in their sheer force. Though he can be unfair to his political targets\x97satirizing \x93gentrifical force\x94 (i.e., gentrification, bourgeois tastes, hipness) as if it were a horseman of the apocalypse\x97the emotion is genuine and carries with it not only a defense of \x93working people's farms,\x94 of \x93beautiful innocents\x94 and unpretentious families, but a very modern understanding of the ways in which our modern lifestyles have put our planet at risk.

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