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Brooklyn Crime Novel

ebook
1 of 1 copy available
1 of 1 copy available
1978 and two 14-year-old white boys are creating dubious art by using a hacksaw to cut multiple quarters into pieces. A child who's just bought ice cream from a Mr. Softee truck witnesses a daylight sidewalk shooting in 1979. At another time, a couple of blocks over, a kid gets caught trying to shoplift an adult magazine from a Puerto Rican hole-in-the-wall. A Black teenager and his white friends square up to a rival Italian gang over the right to play hockey in the street. In 1977 a white kid craters a baseball right in the centre of a Cuban guy's windscreen. And so it goes. On the streets of Brooklyn, the faces of the children change but the patterns remain the same: sex; boredom; friendship; violence; a million daily crimes committed, some small, some unimaginably big. But the real action is away from the streets, played out behind closed doors by parents; cops; renovators; landlords; gentrifiers; those who write the headlines, the histories, and the laws; those who award this neighbourhood its name and control its shifting demographics. Across the decades, buildings are developed and homes are razed; communities come in and muscle other communities out; the past haunts the present and perspectives change, so that perpetrators sometimes become victims, and victims sometimes become the worst criminals of all... Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force of a quarter of a city and the humanity it contains, and an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made
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    • Publisher's Weekly

      July 10, 2023
      The parts are better than the whole in Lethem’s textured if scattershot latest (after The Arrest), an episodic look at crime in a Brooklyn neighborhood from the 1930s through 2019. The first chapter, “Quarters, Part 1,” set in 1978, features two 14-year-old Boerum Hill white boys using a hacksaw to cut multiple quarters into pieces, creating “surrealist anti-money.” Their story line is only resolved hundreds of pages later, after diversions involving a panoply of characters, including one known as “the Screamer” and another called “the Black kid” or “C.” There are vivid vignettes, such as “Ice Cream Truck, Known Con-Artist,” wherein a child who’s just bought ice cream from a Mr. Softee truck witnesses a daylight sidewalk shooting in 1979; and “Guy Who Stuffs Flyers into His Bag and Says Keep Walking,” in which a 20-something man from Brooklyn tries to make it as a bookseller in 1991 Manhattan, where he’s surprised when a younger man approaches him on the street and doesn’t try to mug him. Near the halfway point, Lethem jokes he may have lost his audience along the convoluted paths he’s created; the narrator, whose identity is withheld, asks, “Anyone still reading...?” It’s a bit too meandering, but fans will be pleased to find Lethem still knows his way around a New York City street scene. Agent: Eric Simonoff, WME.

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  • OverDrive Read
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  • English

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