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Peripathetic

Notes on (un)belonging

ebook
0 of 1 copy available
Wait time: About 8 weeks
0 of 1 copy available
Wait time: About 8 weeks

**Highly Commended, Victorian Premier's Literary Awards 2025, Non-Fiction**

There was something so captivating about always being on the edge, on that shaky precipice of promise - something new and something cool was just lurking around the corner and we'd arrive at it if we kick around long enough.

Peripathetic is about shit jobs. About being who you are and who you aren't online. About knowing a language four times. About living on the interstices. About thievery. About wanting. About the hyperreal. About weirdness.

Cher Tan's essays are as non-linear as her life, as she travels across borders that are simultaneously tightening and blurring. In luminous and inventive prose, they look beyond the performance of everyday life, seeking answers that continually elude.

Paying homage to the many outsider artists, punks, drop-outs and rogue philosophers who came before, this book is about the resistance of orthodoxies - even when it feels impossible.

'Tan is searingly intelligent and often very funny, making Peripathetic both a thought-provoking and deeply pleasurable read.' Guardian Australia, Best Books of 2024

'Peripathetic is a fascinating collection, always animated by Tan's distinctive, acidic voice and rambunctious aesthetic. The essays are bold and always manage to be intellectually engaging and incredibly good fun.' Fiona Wright, The Guardian

'Tan is a sharpshooter, putting into words thoughts that had previously only rattled in my head.' ArtsHub

'Invigoratingly thoughtful, playful and stylistically uncompromising in the best of senses.' Sydney Morning Herald/The Age

'We need curious, energetic and risk-taking commentators like Tan.' Books+Publishing

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    • Books+Publishing

      March 12, 2024
      The nine essays in this collection, Peripathetic by Melbourne-based Cher Tan, use the form’s digressive capacity well. In elastic prose informed by wide reading, Tan heads down wordy, winding rabbit holes, exploring such issues as the ubiquity of English in the internet age, the wonders and perils of identity creation, or how Shanzhai might just save the world. Self-described as a person whose ‘East Asian looks and anglophone ways are starting to occupy a more privileged space in Australia’, Tan shares, in helter-skelter fashion, quite a lot about herself. Working in ‘shit jobs’, from Macca’s to food delivery to house cleaning, provided (if not much money) companionship and vital connections, especially those forged via her teenage years working in a Singaporean cybercafe. Along the way, she connected with the international punk and goth movements, and reflections about these communities give the book its spice. Tan is critical of much around herincluding the complacency of Australian society, where we're blessed with a minimum wage and freedom of speech, but where ‘resistance was somehow even more of a lifestyle’all of which fills her with both hope and despair. But like many autodidacts, she appears to feel insecure about the validity of her literary achievements: she is surprised when her work is published and she receives a prestigious grant. We need curious, energetic and risk-taking commentators like Tan, so let’s hope she’s able to find that work-life balance she craves, stay focused, and keep writing.

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